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sees a female figure emanate from a window
it was editioned by Druckma Press in accordance with an initialed Bon A Tirer print
the artist heard its notes of absurdity
and the modernist George Bell
but contains a very small pinhole in upper centre margin
Fred Williams 'Cottlesbridge Acacias I' neo-expressionism sees a female figure emanateBy depicting the bare bones rather than the surface skin of the land, Fred Williams altered how many Australians envision their landscape. His interest was driven by contrast after studying at the George Bell School in Melbourne, he moved to London where he drew music halls, fanfare and the zoo. Upon his return to Australia in 157, he was viscerally struck by the difference in environment. Light, scale and harsh beauty surrounded him. Any survey of
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