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BlackMass invokes an aggregate of Blackness
and is piercing commentary on the pressures of lives lived on the edge
La Triennale at the Palais de Tokyo
His images point to the glaring disconnect between the brisk free trade of globalized capitalism and the dehumanizing erosion of international refugee law in European nation-states
contribute their personal memories and photographs to this volume
Merce Cunningham. We Begin Again. - Hannah Lack & Ananda Pellerin BlackMass invokes an aggregate ofDance visionary and fearless iconoclast Merce Cunningham founded his radical troupe at Black Mountain College in 1953. Over the next five decades, Cunningham reimagined the possibilities of his medium, forging a career as a giant of twentieth century choreography. Two of his gifted dancers, Patricia Lent and Rashaun Mitchell, contribute their personal memories and photographs to this volume, accompanied by Cunningham's own words, notations, and
