Jasper Knight 'Bradley's Head' roar studios and the Sulman Prize in

and the Sulman Prize in 2008

Her subject is obscured by black impressions

Once employed by Matisse and Picasso and revived by Le Miere

Even though the gift card is electronic

Chapter 2’ is a proclamation of faith and love

Jasper Knight 'Bradley's Head' roar studios and the Sulman Prize inJasper Knight takes after pop masters of the past. Rather than starlets however, he pictures icons of decaying industry beams, machinery, buildings and lighthouses. Found on the citys outskirts, these images trade in a strange dichotomy: urban detritus rendered in oozing, technicolour excess. Bradleys Head is quintessential Knight. He pictures the lighthouse that overlooks Sydney Harbour from below, creating a sense of awe. Like the crumbling statues