Sidney Nolan 'Landscape' roar studios John Thomas Rigby captures the

John Thomas Rigby captures the Queensland lake

Shifting the focus from the art within

In ‘The Strand - Dusk’

this interior is less physical and more mental

In her tenure as head curator

Sidney Nolan 'Landscape' roar studios John Thomas Rigby captures theSidney Nolan painted 'Landscape' in the same period as his famed Moonboy, an ovoid composition that is thought of as the embryo of his visual language. Merging myth with modernism, Nolans work was perplexingly subjective and objective, an experimentation in seeing and representing. In 'Landscape', painted on plywood, an abstracted shoreline is girt by deep blue water. The viewers sense of perspective is warped are we looking down or across a ridge?