Rosemary Ryan 'Untitled (after Hogarth)' drawing this original drawing is an

this original drawing is an example of Charles Blackman’s motif of the interior

suggesting that how we construct ourselves is a matter of make-believe

accession number: 145

slanted eyes suspicious and claws nestled under her chin

accession no: 2008

Rosemary Ryan 'Untitled (after Hogarth)' drawing this original drawing is anCompatriot of Charles Blackman and Mirka Mora, Rosemary Ryan lived her life in the thick of the Australian art scene. She studied at both the National Gallery School and under George Bell, showing two works at the Australian Artists Association exhibition in London, 1956. On her second solo exhibition, Bernard Smith wrote for The Age that she was the surprise of the week, praising her Proustian sensibility, authenticity and literary penchant. Smiths