“Rap-A-Lot Records” - Original 12” Flat Group (1992 – Geto Boys, Raheem & Ganksta N-I-P) chris-allison used and marked by Jam

used and marked by Jam Master Jay

Event: MAW Miami party (early 2000s)

the display promotes a live performance by the Bootsy Collins New Rubber Band featuring Parliament-Funkadelic keyboard legend Bernie Worrell

Handwritten and printed reviews from music journalist and DJ Philip Edwards—insightful reflections on vinyl culture and DJing

A rare two-disc acetate set for Nightmares on Wax’s influential 1991 Warp release A Case of Funk

“Rap-A-Lot Records” - Original 12” Flat Group (1992 – Geto Boys, Raheem & Ganksta N-I-P) chris-allison used and marked by JamThis group of three original 1992 Rap A Lot promotional flats captures Shawn Brauchs earliest design evolution at the precise moment Southern rap visuals began shifting from paste up and photocopier era methods into digital experimentation. Created by Shawn Brauch during his time at Rap A Lot, the artworks were produced for releases by hip hop artists Geto Boys, Raheem, and Ganksta N I P. Across the three pieces, you can see the transition from