Comizi d’Emigrazione delete everything within the frame appears

everything within the frame appears in near-constant motion while the camera is clearly hand held and also continually wavers

and was represented by Push Pin Studios in the 1970s

and Everybody in Tucson and Chicago

Fatos Ustek

Nicola’s process became synonymous with the final work

Comizi d’Emigrazione delete everything within the frame appearsComizi dEmigrazione is a collection of love letters that explores the interrelations between queer love, sentimentality and emigration as an attempt to voice possible counter narratives. Thus, when does love become a reason to leave? What does it mean to experience love far from home, to live intimacy in your second language? What are its implications one subjectivity and collectivity? Starting with the love letters to Pier Paolo Pasolini, not so dear