Fortuna Y Fetiche delete these artifacts

these artifacts

in both its theme and its making

her “abstract” photographs emerge from a masterful approach to composition

and by which political grammars is its ongoing condition disrupted and contested

Photographed during the catwalk show of Duran’s Autumn Winter 2025 collection and over different shoot dates in Paris

Fortuna Y Fetiche delete these artifactsThe collaboration between Brbara Snchez Kane (Mrida, Yucatn, 1987) and Sofa Alazraki (Buenos Aires, Argentina, 1991) began as an exchange of letters between two friends. Love letters in odd formats. Like throwing a dart from one end of the world to the other. At first glance, these photos give the impression of an exquisite corpse, sculptures made with parts that are added without a rational order (their logic is unconscious, rather). Sometimes they