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Proceeding from an iconic installation by artists Marissa Lee Benedict
Horror and bonne vie as neighbours
it was a period “during which we had to face and somehow incorporate the illness and death of most of our friends
like the majority of people at the track
after having recovered from an illness
DEPOSITION delete Proceeding from an iconic installationProceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyers pavilion for the 34th Bienal de So Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade. Essays and interviews provide divergent lenses from which to view the work, moving from intimate to distant, scanning over
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