Spotted Owl — Giclée on Paper Square more naturalistic rendering of the

more naturalistic rendering of the scene as Glen first observed it

and Glen gave it the full attention it deserves — treating it with the same seriousness he brought to his large mammal paintings

Glen gave it the full complexity of a portrait subject — the specific character of this particular pine

and this is the definitive statement of that subject

when his technique was loose enough to feel atmospheric and tight enough to render every individual hair on the beaver's coat

Spotted Owl — Giclée on Paper Square more naturalistic rendering of theA Spotted Owl the old growth specialist, the forest interior bird perched in the dim light of a dense conifer wood. The Spotted Owl's large dark eyes, adapted for low light hunting, and its rich brown and white spotted plumage are rendered with the same careful attention Glen brought to all his owl subjects. The forest setting deep shadow, old growth character is part of the painting's meaning as well as its composition. The Spotted Owl carries