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but he kept saying no every time making excuses
it was a transcendence of the physical
Photo Credit: Louis Lim
That shield became one of his most important possessions and the design would identify him
KAT HALL | ‘Black star’ | 2025 | Ceramic | H 2 x W 11 cm
ARONE MEEKS | 'White Coral Spawning I' | 2013 | Monoprint | Paper: 800 x 600 mm Fashion but he kept saying noAt the heart of the work is Meeks unique visual languagewhere ancestral knowledge systems intersect with contemporary experience. Influenced by the Quinkan rock art traditions of Cape York and the ancestral presence of the Rainbow Serpent, his works evoke a living cosmology of guardianship, movement and renewal. Recurring formswaterholes, woven vessels and flowing systemsspeak to the interconnectedness of people, place and cultural responsibility.
