The Sentinel — Giclée on Paper Original Glen's interest in wildlife was

Glen's interest in wildlife was never limited to the Canadian north

one watching from a mossy bank

the red cherries brilliant against the turning autumn leaves

This is as tender as wildlife art gets: the animal so young and so precisely rendered that the viewer instinctively lowers their voice

the particular blue of distant hills under a July sky

The Sentinel — Giclée on Paper Original Glen's interest in wildlife wasA lone White Pine on a Shield promontory the tree shaped by decades of prevailing wind, leaning slightly, the branches on the windward side stripped and dead while the leeward side still holds its dark green needles. This is the sentinel tree of the Canadian Shield: standing apart from the forest, shaped by exposure, enduring. Glen gave it the full complexity of a portrait subject the specific character of this particular pine, not a generic tree. The