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artistic director
and Richard Davis were experimenting with music that was a world apart from anything happening in New York or Los Angeles
by which point the band were one of the biggest on the planet
an anonymous group of overworked and under-budgeted BBC employees set out to make some new sounds for radio and TV
from the acoustic piano to the technological jewels of today
Kraftwerk: Future Music from Germany science artistic directorAuthor: Uwe Schutte A highly stimulating critical biography. Written from a European perspective, Kraftwerk is a pleasure to read. Jon Savage, New Statesman (London) An engaging critical introduction to the band . . . you can see them everywhere: most fascinatingly in hip hop, most obviously in techno music, but also in the chrome helmeted anonymity of Daft Punk, in the industrial philosophy of Factory Records and the Haienda nightclub, and,
