Over the Hills and Far Away — Framed Piece water A tiger in close portrait

A tiger in close portrait — the face filling most of the canvas

the distant hills a blue-purple band

The landscape fills almost the entire canvas

his waterfowl paintings are prized in collections across North America

The painting demonstrates Glen's understanding of what makes a landscape painting work without an animal subject: the composition itself must carry the weight

Over the Hills and Far Away — Framed Piece water A tiger in close portraitA gravel road crests a hill and drops into a summer Ontario valley a grey barn visible at the farm below, hydro poles following the road down, an orchard to the right, wildflowers at the roadside verge. This is rural Ontario painted with the affection of someone who grew up in it: the specific texture of a gravel road, the way an Ontario summer valley looks from the top of a concession hill, the particular blue of distant hills under a July sky. Glen